{"id":1305,"date":"2024-10-17T23:26:05","date_gmt":"2024-10-17T20:26:05","guid":{"rendered":"https:\/\/photoartdoc.com\/?page_id=1305"},"modified":"2024-10-27T14:11:32","modified_gmt":"2024-10-27T11:11:32","slug":"in_my_shoes","status":"publish","type":"page","link":"https:\/\/photoartdoc.com\/2024\/en\/in_my_shoes\/","title":{"rendered":"In_My_Shoes_Tatiana_Chipsanova"},"content":{"rendered":"
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PHOTOARTDOC 2024<\/strong>
best project<\/p>\n\n\n\n

CLOSED NOMINATION<\/h3>\n\n\n\n

all results<\/a><\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Tatyana Chipsanova<\/h3>\n\n\n\n

Tatsiana Chypsanava is a documentary photographer currently based in Nelson Whakat\u016b, Aotearoa New Zealand. Born in Belarus and a descendant of the Komi peoples of the Siberian North West Ural, she is a member of Diversify Photo and Women Photograph, both groups that champion diversity in the industry. Her work focuses on Indigenous rights, migration, and environmental issues.<\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

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In my shoes<\/strong><\/p>\n\n\n\n

\"In my shoes\" is a documentary photography project about my 17-year-old daughter Lola\nand me. It's a story of change, growing up, and the connection between generations.<\/p>\n\n\n\n

I'm capturing our last year together before Lola leaves for university. These photographs\nare about her growing up and me growing older. They're about daughters distancing\nthemselves from their mothers, and the midlife crisis mothers face when their children\ngrow up.<\/p>\n\n\n\n

This project explores the challenges of single motherhood and how I raised a wonderful\ndaughter on my own. It shows how Lola spends time with her friends and how important they are in her life.<\/p>\n\n\n\n

The title \"In my shoes\" comes from Lola wearing my shoes, clothes, and jewelry. She also wears my mother's ruby ring - my mother who was also named Lola. She died when I was 10. I never had adult conversations with my mom, which makes talking with my own growing daughter so precious.<\/p>\n\n\n\n

This project is about the similarities between my mother, myself, and Lola. It's about hope - hope that the limitations immigration brought to my life will make my daughter's life better than mine or my mother's. It's also a story about immigration and how cultural boundaries blur, especially in terms of gender relations. In New Zealand, there's no discrimination against single-parent families.<\/p>\n\n\n\n

I know I'll look at these photos when Lola leaves, immersing myself in memories of our\nlife together. This project is for my daughter and for me. It's a way to remember, feel, and understand this important stage of our lives.
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PHOTOARTDOC 2024<\/strong><\/h3>\n\n\n\n

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